Portland, Oregon duo Sea Moss make visceral, galvanizing noise music with DIY electronics—ornate tin containers, warped oscillators—leading to a sound that’s someplace in between early Suicide and Black Dice. “Snake Girl,” the wonky second single from vocalist Noa Ver and drummer Zach D’Agostino’s upcoming album SEAMOSS2, seems like driving a rusty muscle automobile so quick the engine begins smoking; D’Agostino’s drums alternate between sputtering rhythms and bursts of screeching low finish, sounding like they’re getting ready to explosion. Ver’s serpentine references heighten the menace, taking the observe to nearly ridiculous locations: “Six ft tall and imply as a snake/The hair, the colour, the nails, all pretend,” she shrieks repeatedly, her voice warped into blood-curdling abstraction by a contact mic plugged straight onto her neck. Dense and overwhelming, “Snake Girl” is an unhinged journey from begin to end.
Content material
This content material may also be considered on the positioning it originates from.
